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		<title>An E3 thought mid-flight</title>
		<link>http://www.gamecrashers.net/2009/06/02/an-e3-thought-mid-flight/</link>
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		<pubDate>Tue, 02 Jun 2009 07:37:00 +0000</pubDate>
		<dc:creator>Rob James</dc:creator>
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		<description><![CDATA[E3: The flight It’s about 10am New York time. I’m rocketing towards the biggest event the gaming industry has each year, ready to bask in what, we (yes, the royal ‘we’) hope will be akin to E3’s of old. And what’s the thought going through my head? “I feel like a little kid who’s just won the max amount of tickets possible from the ski-ball machine.” I can remember back the last couple of years, when I was still in college. Every summer, I would follow the upcoming E3 coverage via Gamspot.com (they were the best and only source at the time…before G4 got top billing.) Those were the days when Rich Gallup and Jeff Gerstmann (love for GiantBomb.com) were at the helm of the stage show, leading it valiantly through the three days of utter bedlam. It was a smorgasbord of information that took a tremendous effort to sift through. But they did it with a great amount of professionalism: talking to all the developers, the publishers, highlighting the trailers, the stage demos, and on and on. I swallowed up every bit of information I could get from them because I wanted to be absolutely sure I knew every detail about every game that was coming out in the fall. And now I’m going to be there, amidst the braking news, the stage demos, and perhaps a booth babe or two. But, as it goes with editorial pieces such as this, I’m required to play devil’s advocate: how much I’m really going see by being on the floor. Now, I know what you’re thinking. “Dude, you’re at E3! You’re going to see EVERYTHING. What are you gripping about?” Permit me to explain: It’s been announced that over 40,000 people are slated to attend this event, which includes industry professionals in video games, film, and tv (as well as a slew of other related industries). And with that in mind, I expect nothing less than for things to be crazy, nuts, erratic, busy, and even a little messy at times. But it’s the kind of mess that can only be re E3. It has no other name and needs no other label (or anyone to tell it otherwise). However, my gripe is related, in no small part, to the very outlets I mentioned earlier in the article: The Press. The press is going to be all over the place, with each media outlet having its own booth and floor coverage team pumping its own feed to computers and TVs all over the world. This event is going to be covered from each and every angle and side. It’s going to be scrutinized, compared, contrasted, and critiqued by every news and enthusiast network, blog, and internet emporium from now until 2010. Is it really possible I could see less from the floor than I would from my home? Is it possible that the show could be less fun from deep within the mire than watching on my computer monitor at home?...]]></description>
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